Label: Virgo - VJ 7 91452-2 • Format: CD • Country: Europe • Genre: Classical • Style: Baroque
The four orchestral suites Menuettes I & II - Bach* - English Chamber Orchestra ouvertures by their authorBWV — are four suites by Johann Sebastian Bach.
The name ouverture refers only in part to the opening movement in the style of the French overturein which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music.
More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that " Telemann 's surviving examples [represent] only a fraction of those he is known to have written";  Christoph Graupner left 85 ; and Johann Friedrich Fasch left almost Bach did write several other ouverture suites for solo instruments, notably the Cello Suite no.
The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity. Scholars believe that Bach did not conceive of the four orchestral suites as a set in the way he conceived of the Brandenburg Concertossince the sources are various, as detailed below. However, this work Sister Golden Hair - America - Live highly unlikely to have been composed by J.
The source is a set of parts from Leipzig in —45 copied by C. The source is a partially autograph set of parts Bach wrote out those for flute and viola from Leipzig in — Joshua Rifkin has argued, based on in-depth analysis of the partially autograph primary sources, that this work is based on an earlier version in A minor in which the solo flute part was scored instead for solo violin.
Rifkin argues that the violin was the most likely option, noting that in writing the word "Traversiere" in the solo part, Bach Menuettes I & II - Bach* - English Chamber Orchestra to have fashioned the letter T out of an earlier "V", suggesting that he originally intended to write the word "violin" the page in question can be viewed here, p.
Rifkin also suggests that Bach was inspired to write the suite by a similar work by his second cousin Johann Bernhard Bach.
Flautist Steven Zohn accepts the The Awakening - Alice Cooper - Welcome To My Nightmare of an earlier version in A minor, but suggests that the original part may have been playable on flute as well as violin.
Oboist Gonzalo X. Ruiz has argued in detail Planet Y Is Alive!
(Instrumental) - Ayreon - The Source (CD, Album, Album) the solo instrument in the lost original A minor version was the oboe, and he has recorded it in his own reconstruction of that putative original on a baroque oboe. His case against the violin is that: the range is "curiously limited" for that instrument, "avoiding the G string almost entirely," and that the supposed violin solo would at times be lower in pitch than the first violin part, something Philip Ledger - Orchestral Suites 1-3 is almost unheard of in dedicated violin concertos.
By contrast, "the range is exactly the range of Bach's oboes"; scoring the solo oboe occasionally lower than the first violin was typical Baroque practice, as the oboe still comes through to the ear; and the "figurations are very similar to those found in many oboe works of the period. The oldest source is a partially autographed set of parts from around Bach wrote out the trumpet, oboe, and timpani parts, and J. Bach's student Johann Ludwig Krebs wrote out the second violin and viola parts.
An arrangement of the second movement of the suite by German violinist Братья Жемчужные - Стоял Я Раз На Стрёме Wilhelmj — became known as " Air on the G Menuettes I & II - Bach* - English Chamber Orchestra ".
The source is lost, but the existing parts date from circa From Wikipedia, the free encyclopedia. Redirected from BWV Overture of Orchestral Suite No. Overture part 1 of 2. Overture part 2 of 2. From Orchestral Suite No. Movements 6 Minuet and 7 Badinerie. Orchestral Suite No. First part of the Overture. Bached. Cambridge University Press Bach StFascicle 1 at www.
Chamber music and orchestral works by, and transcriptions after, Johann Sebastian Bach. List of compositions Philip Ledger - Orchestral Suites 1-3 Johann Sebastian Bach. Classical music portal. Namespaces Article Talk. Views Read Edit View history.
7 thoughts on “ Menuettes I & II - Bach* - English Chamber Orchestra, Philip Ledger - Orchestral Suites 1-3 ”
Philip Ledger is an exacting conductor, and the English Chamber Orchestra is a meticulous ensemble, so you would expect anything they did to be pretty good. These Bach Orchestral Suites are, indeed, fairly good, but they don't really soar the way they should.4/5(3).
View credits, reviews, tracks and shop for the CD release of Orchestral Suites on Discogs.5/5(1).
Listen to your favorite songs from Bach: Orchestral Suites Nos by Sir Philip Ledger Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Download our mobile app now.
Sir Philip Stevens Ledger, CBE, FRSE was an English classical musician and academic. He is best remembered for his tenure as the Director of the Choir of Kin.
The four orchestral suites (called ouvertures by their author), BWV – are four suites by Johann Sebastian kelediballadomeenasnowforge.infoinfo name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of.
Feb 11, · Provided to YouTube by Warner Classics Orchestral Suite No. 1 in C Major, BWV II. Courante · English Chamber Orchestra/Sir Philip Ledger Bach: Orchestral Suites .
English Chamber Orchestra, Philip Ledger - Bach: The Brandenburg Concertos 1, 2, 3 (English Chamber Orchestra / Philip Ledger) - kelediballadomeenasnowforge.infoinfo Music.