Label: Polydor - 0731458958826 • Series: Deluxe Edition • Format: 2x, CD Album, Remastered • Country: UK • Genre: Rock • Style: Rock & Roll, Art Rock, Avantgarde, Garage Rock
It was also released as a single in It was requested by Tom Wilsonwho thought the album needed another song with lead vocals by Nico with the potential to be a Visible Side 3 - Boris Kovač - East Off Europe: Closing The Circle single. The final master tape of side one of the album shows "Sunday Morning" only penciled Femme Fatale - The Velvet Underground - The Velvet Underground & Nico before " I'm Waiting for the Man ".
The band previously performed it live with Nico singing lead, but when it came time to record it, Lou Reed sang the lead vocal. Nico would instead sing backing vocals on the song. Aiming to create a hit for the album, "Sunday Morning" features noticeably more lush and professional production than the rest of the songs on the album. The song's prominent use of celesta was the idea of John Calewho noticed the instrument in the studio and decided to use it for the song.
He also played viola and piano via overdubs and Sterling Morrisonnormally the secondary guitarist, played bassdespite his dislike of the instrument.
According to Reed, the song's theme was suggested by Vart Tog Han Vägen - Gunnar Turesson - Doktorns Visor Warhol.
The alternative rock Japanese band the Teenage Kissers made a cover and released it on their first full album Virgin Field. The chord progression is used in Kramer 's " Don't Come Around ", which includes the lyric, "I love this song," presumably referring to the Velvet Underground song rather than the Kramer song.
Also inFlo Morrissey and Matthew E. From Wikipedia, the free encyclopedia. Retrieved Transformer: The Lou Reed Story. Mental Contagion. Retrieved 24 October When I had to play viola, Sterling had to play bass, which he hated. Retrieved 7 March November 6, Retrieved December 27, The Velvet Underground.
Mayfair Recording New York City. Lou ReedJohn Cale. Tom Wilson.
Evenings - Delirium, Es Muss Etwas Geschehen Sein - Georg Solti, Richard Strauss - Sir Georg Solti Conducts Operas By Ric, Like I Love You (Basement Jaxx Vocal Mix) - Various - Now Dance 2003, Sukiyaki - Kyu Sakamoto - Sukiyaki And Other Japanese Hits...With Orchestra, Giovanna* - Ama-Mi
7 thoughts on “ Femme Fatale - The Velvet Underground - The Velvet Underground & Nico ”
Femme Fatale (Ft. Nico) Lyrics. One of the most celebrated and ambitious albums of all time, The Velvet Underground and Nico dared to touch upon the most controversial of topics in it’s time, including but not limited to; sexual masochism, prostitution, drug abuse, and glorified heroin use.
View credits, reviews, tracks and shop for the 45th Anniversary Super Deluxe Edition Box Set release of The Velvet Underground & Nico on Discogs.
The Velvet Underground & Nico (45th Anniversary / Super Deluxe Edition) The Velvet Underground Rock ; Listen on Apple Music. Listen on Apple Music. Preview Femme Fatale (Mono Single) The Velvet Underground 1 The Fairest of the Seasons Nico 2 These Days Nico 3 Little Sister Nico 4.
FEMME FATALE Velvet Underground [Verse] Cmaj7 Fmaj9 Here she comes Cmaj7 Fmaj9 You better watch your step Cmaj7 F Dm G She's gonna break your heart in two, yes it's true Cmaj7 Fmaj9 It's no.
General Comment"Femme Fatale" is a song by The Velvet Underground (main singers at the time being Lou Reed and Nico). At Andy Warhol's request, LOU REED WROTE THE SONG ABOUT Warhol's superstar EDIE SEDGWICK.
Warhol was the manager of the Velvet Underground for a time, and good friends with Lou Reed. He asked for this song to be written for Edie. According to the book The Velvet Underground: An Illustrated History of a Walk on the Wild Side, during Exploding Plastic Inevitable shows, Warhol's right-hand man, Gerard Malanga, would get onstage in a leather outfit and crack a whip during this number.
"Femme Fatale" is a song by American rock band the Velvet Underground from their debut album The Velvet Underground & Nico, with lead vocals by kelediballadomeenasnowforge.infoinfo: Pop.