Label: Westside Records - CDHOUS 1 • Format: 11x, CD Compilation, Limited Edition Box Set • Country: UK • Genre: Electronic • Style: Acid House, Techno, House
This new Chicago club called The Warehouse gave House music its name. Frankie Knuckles, who opened The Warehouse, mixed old disco classics and new Eurobeat pop. It was at this legendary club where many of the experiments were tried. It was also where Acid House got its start. House was the first direct descendant of disco. In comparison with disco, House was "deeper", "rawer", and more designed to make people dance.
Disco had already produced the first records to be aimed specifically at DJs with extended 12" versions that included long percussion breaks for mixing purposes. The early 80s proved a vital turning point. House music did not have its origins just in American music.
Before The Warehouse opened, there had been clubs strictly designed to segregate race. However, The Warehouse did not make any difference between Blacks, Hispanics, or Whites; the main interest was simply music.
And the music was as diverse as the clients. People who influenced House. Frankie said, "When we first opened inI was playing a lot of the East Coast records, the Philly stuff, Salsoul. I had to re-construct the records to work for my dancefloor, to keep the dancefloor happy, as there was no dance music coming out! In fact, it was Larry who first suggested opening Try - A Short Film - The Smashing Pumpkins - 1991-2000 Greatest Hits Video Collection (DVD) Warehouse in Chicago.
Larry Levan and Frankie Knuckles were indeed two very important figures in the development of House music and the modern dance scene. Perhaps there would have been no fame for the two without the producer, DJ and devoted lover of dance and music, David Mancuso, and his dance parties for gays called Loft parties.
Larry and Frankie attended the Loft parties regularly. It was not only a place of joy but also a place where they became acquainted for the first time with the techniques of House music. Mancuso taught them about creating a perfect House music: about sound, lighting, production, music and DJ techniques. DJ Pierre, on the other hand, contributed to the development of Acid House.
As a result, a track called "Acid Trax" was produced. There have been various views of who is the inventor of House music. LRRoy was a remarkable and much respected DJ. He also claimed that he had invented the term "House music" in the spring of The roots of House music. House music was created in and by the African American community. Musically, House music evolved in Chicago and New York from African-American musical traditions like gospel, soul, jazz and funk as well as Latin salsa.
Spiritually and aesthetically, it developed in the U. From a different point of view, House music in the U. House was just perceived as "gay" music for blacks and thus scorned by whites, although its aim was to unify people Off To Battle - Various - The House Of Hits - The History Of House Music all races, backgrounds and sexual orientations. According to Frankie Knuckles, many people could not and still cannot deal with the fact that House music started in gay clubs.
Thus, narrow-mindedness, racism, and even corporate music politics played an important role in preventing House music from flourishing in the U.
House music had its origins in gospel, soul and funk rather than in commercial disco music. Furthermore, Chicago jazz, blues and soul had an immense influence on the creation of House music. There were significant Midwestern musical influences that led to the creation of the Chicago flavour of House music. No doubt, the Midwest had its own tradition of African American music. Thus, blues and jazz presented Que Mas Puedo Pedir - Victor Yturbe Pirulí - Por Si Acaso Me Recuerdas part of the mix.
To sum up, the soul music produced in Chicago, Detroit and Memphis certainly had an impact Off To Battle - Various - The House Of Hits - The History Of House Music Chicago house. A record which allowed more creativity, namely 12" dance mixes specifically intended for DJs, had not yet appeared on the market. DJs had to manage without basic equipment such as DJ mixers or headphones. It was impossible to vary the speed, so the turntable moved continuously. In practice, it could be described as follows: DJs started to play one record.
Then they took it off the turntable, prepared another record, put this one on and played it. In reality, "putting on and taking off" the record cannot be called mixing.
As expected, DJs needed time to change the vinyl disc and thus dancers had to wait between the records. This technique was probably invented - or at least given currency - by DJ Francis Grosso and widely used by radio station DJs. It Be Alive Tonight - Cowboy Mouth - This Train. much practice with individual recordings, great agility, and nerves of steel.
Great turntablists of the seventies like Kool Herc and Grandmaster Flash developed such techniques into an art form. The success Off To Battle - Various - The House Of Hits - The History Of House Music House in the U. In reality, Acid House had already started in Chicago in DJ Pierre and some friends pushed a button on their Roland and found that that Acid sound was already in it. We had this Rolandwhich was a bassline machine, and we were trying to figure out how to use it.
When we switched it on, that acid sound was already in it and we liked the sound of it so we decided to add some drums and make a track with it. We gave it to Ron Hardy who started playing it straight away. In fact, the first time he played it, he played it four times in one night! I think we may have made it as early asbut Ron was playing it for a long time before it came out.
The most popular was that acid used to be put in the water at the Music Box. Limpiate El Bozo - Antonio Morel Y Su Orquesta - Musica Dominicana though, emphasises that Phuture was always anti-drugs, and cites a track about a cocaine nightmare, "Your only friend" that was on the same EP as "Acid Trax".
Mixing in the history of House. Scratching Off To Battle - Various - The House Of Hits - The History Of House Music ? Take a look at the important dates and recordings that have defined music mixing. If you want to learn to style with the best of them, you have to know the difference between a "tear scratch" and a "chirp scratch".
Here are mixology words that will help you get your "act" together. Baby scratch : Simple pushing and pulling of the record back and forth under the needle in a rhythmic manner.
This scratch is the basis for all othe scratches. Breakdown : A basic beat juggling technique consisting of a manual slowdown of the beat by using the hand to rhythmically pause the record on every beat count. Chirp scratch : Pulling the record backwards with the crossfader on, turning it off at the end of the sound, and turning it back on as the forward stroke is initiated.
Crab scratch : Popularised by DJ Q-Bert, this is a three-click flare scratch using a drumming motion of four fingers on the crossfader to create faster, syncopated sound.
Fills : A basic beat juggling technique performed by playing one record and cutting in a sound element from the second, such as a snare or bass drum. For example, the kick drum of the second record is used to double or triple the kick drum of the first record. Flare scratch : A scratch consisting of turning the fader on, moving the record forward while turning the crossfader off and on in a quick rhythm, then moving the record back to the start of the sound in two stages while still moving the crossfader back and forth in a rhythm.
This complex scratch has many variations. Forward scratch : The record is pushed forward with the crossfader on, playing a sound, then cut off with the crossfader, rewound to the beginning of the sound silently and played again.
Hydroplane : A scratch performed by pushing the record in any direction with one hand while applying counter pressure with a finger from the opposite hand. The finger should bounce along the record surface, creating a "bubbly" sound. Looping : A basic beat juggling technique. The DJ plays one section of a record and then switches over to the same beat on another copy of the record while rewinding the first record, then switches back to the first record while rewinding the second one.
Orbit : A term used to descrie any scratch that can be performed forward and backward. Scribble : A very fast, vibrating sound created by holding the record idle and tensing the muscles in the arm, causing the record to move back and forth very quickly over a small distance.
Off To Battle - Various - The House Of Hits - The History Of House Music scratch : Similar to forward scratch, but the sound is cut off Procura Da Mulata - Zé Orlando E Nuno Santos - Mar Azul Levam Nha Cretcheu repeated faster. Tear : A tear is performed by moving forward or backward with pauses between strokes, all within a single sound or sample on the record.
A two forward tear would be forward, pause, forward, pause creating the sound "ahh, hhh, hhh". Transformer : A scratch performed by moving the crossfader to a rhythm while dragging the record back and forth or letting it play by itself. It is all about technique. That is what separates the players from the posers in the world of DJ mixing. Check out the essential scratches every mix master should know.
Style: Push and pull the record back and forth in a rhythmic motion at a slow speed. This is the foundation for all scratching. Flare Creator: DJ Flare.
Style: Turn on the fader, move the sound forward, then turn the fader off and on. Easy Walk - The Sharp - Lounge - Wake Up! moving the record forward and back while turning the sound off and on quickly.
Tear Creator: Unknown. Style: Move the record forward or backwards while creating pauses. Keep your hand placed on the record at all times. Transformer Creator: Spinbad. Style: Move the crossfader to a rhythm while dragging the record back and forth. Chirp Creator: Unknown.
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Mar 23, · referencing The House Of Hits - The History Of House Music, Box, Comp, Ltd, Num + 14xLP, Comp, HOUSBX 1 This is the bible of mostly Chicago house music. circa - with the scope of the collection leaning most heavily towards 88 as that was the year it was released/5().
The beginnings of House music. It all started in Chicago’s Southside in , when a new kind of club opened. This new Chicago club called The Warehouse gave House music its name. Frankie Knuckles, who opened The Warehouse, mixed old disco classics and new Eurobeat pop.
Mar 23, · View credits, reviews, tracks and shop for the Box Set release of The House Of Hits - The History Of House Music on Discogs/5(92).
May 30, · The House of Hits: The History of House Music, a Various Artists Compilation. Released in on Westside (catalog no. HOUSBX 1; Vinyl 12"). Genres: Chicago House/5(1).
Various - The House Of Hits - The History Of House Music CD1 1. Z-Factor - Fantasy, Mitchbal Records 12'' MB (Produced by Jesse Saunders) 2.
(Acid House, Techno, House) VA - The House Of Hits - The History Of House Music (CD & Vinyl) - , MP3, kbps Страницы: 1 Главная» Электронная музыка» House, Techno, Hardcore, Hardstyle, Jumpstyle» House (Проморелизы, сборники) (lossy).
Oct 10, · View credits, reviews, tracks and shop for the CD release of The Greatest Hits Of House on Discogs. Label: Stylus Music - SMD • Format: 2x, CD Compilation • Country: UK • Genre: Electronic • Style: Acid House, Garage House, Deep House, House, Hip-House Various: The Greatest Hits Of House /5(16).
The House Of Hits - The History Of House Music Cd CD1. 1. Z-Factor - Fantasy, Mitchbal Records 12'' MB (Produced by Jesse Saunders) CD 11 06 - Various - Alkaline Deep Penetration Mix By Stu Allan. Para download clique no icone abaixo. O Grupo Casa House é para tirar duvidas de Disco,Cds e Musica que agente não lembra.