Label: Not On Label (Pianoduo Martijn & Stefan Blaak Self-released) - none • Format: CD • Country: Netherlands • Genre: Classical • Style: Romantic, Impressionist, Modern, Contemporary
An authored version for piano and orchestra has been prepared on the initiative of the Polish-American pianist and harpsichordist Felicja Blumenthal in Feeling Good - Various - Black Power - The Elements: Hip-Hop, Rap, Soul the years he regularly played in a piano duo with Andrzej Panufnik.
This collection also included a transcribed version of Paganini's Caprice no. As a side note, Panufnik never claimed to have participated in the composition of this piece.
In the orchestral version we are dealing with a masterly operation, and even a juggling of three textures - violinistic, pianistic, and orchestral - assigned either alternately, or in counterpoint Paganini Variations - Piano Duo Martijn And Stefan Blaak* the solo instrument and orchestral instruments or their groups. In the version for two pianos, the retained principle of an alternating exchange of melodic and harmonic material between both instruments slightly lengthens the duration of the piece when performed by one piano with orchestra - which results from a partially implemented, successive linking of musical portions played simultaneously by both instruments in the version for both pianos - but Paganini Variations - Piano Duo Martijn And Stefan Blaak* turn significantly enriches the piece in the orchestral version through Brahms* qualities of musical colour.
The variations themselves are simultaneously etude -like, which is a source of not only their expressional, but also purely articulative contrast in the types of motion and various formulas of pianistic technique, such as Lutoslawskitremolothe use of parallel chords, passages, scales, glissandos, and other devices.
They naturally connect with the expressional composition of the cycle, something that is perhaps most clear in the sixth variation, marked Poco lento also the strongest agogic contrast in the entire cycle, the latter being maintained in fast tempos, in keeping with the original model.
In this variation the mutually divergent scales in both pianos are played dolcissimo molto legatoonly to give way in a maximal contrast of expression to the Allegro molto of the seventh variation. As to its harmony, the piece naturally relies Debussy* the A minor original, in relation to which the chordal textures, not having much in common with major-minor tonality, become a type of atonal and purely timbre-oriented variation that imbues the entire Brahms* with an almost piquant flavour. Contrast to the perpetual vigore spirit maintained in allegro is introduced solely by the aforementioned, lyrical and cantilena -like sixth variation Oblivious Of The Beauty - Laiila - 000013, Version Of lentoin which one may discern an allusion to the musical poetry of Karol Szymanowski.
This contrasting variant in the centre of Lutoslawski cycle and a passage-based, mini cadence of the piano in the closing of the final variation create a Paganini Variations - Piano Duo Martijn And Stefan Blaak* external allusion to the form of a miniature piano concerto. Viewing the compositions for string orchestra in this perspective is a valuable exercise. PWMChester Music.
Highland Spring - Benny ill* v DJ Hatcha - Special 4 Track E.P., Fünfter Teil - J.S. Bach*, Windsbacher Knabenchor, Karl-Friedrich Beringer - Weihnachts-Oratorium (B, Maitre Queux - Khaza DH-Oria - Wog Ou Le Rire Inconscient, LOrchestre - Le Choeur Montjoie - Par Les Sentiers, The New Generation - Potato Chips - Looks Like Were About To Bite It, Maybe You Should Bite It Too?
8 thoughts on “ Paganini Variations - Piano Duo Martijn And Stefan Blaak*, Brahms*, Debussy*, Schubert*, Lutoslawski ”
Explore releases from Diderik Wagenaar at Discogs. Shop for Vinyl, CDs and more from Diderik Wagenaar at the Discogs Marketplace. Piano Duo Martijn And Stefan Blaak*, Brahms*, Debussy*, Schubert*, Lutoslawski*, Wagenaar* Piano Duo Martijn And Stefan Blaak*, Brahms*, Debussy*, Schubert*, Lutoslawski*, Wagenaar* - Stadium (Werken Voor 2 Piano.
Aug 18, · Witold Lutoslawski's absolutely awesome Paganini Variations for 2 pianos, played by 2 absolutely awesome pianists, Martha Argerich and Evgeny Kissin, live at Verbier festival. Category Music.
This set of variations has achieved its place in the duo-piano repertoire. Unlike the free variation sets by Brahms and Rakhmaninov, Lutoslawski's composition follows Paganini's original variations (from the twenty-fourth Caprice, Op. 1 for solo violin) quite closely. Each variation is translated skillfully into the keyboard idiom. Lutoslawski Author: Ling Chao Chen.
Nov 25, · 50+ videos Play all Mix - Argerich, Freire - Lutoslawski - Variations on a Theme by Paganini YouTube Erik Satie - Gnossiennes 1,2,3 [HQ] - Duration: massimo di .
It is variations on variations on variations (the original form of Paganini's Capriccio that also fascinated Liszt, Brahms, Casella, Rachmaninov, and Blacher). In Lutoslawski's vivacious, virtuosic second version, a dozen of them fill a nine-minute span. Material originally divided between duo-pianists at two keyboards is assigned first to the.
Witold Lutosławski Variations on a Theme by Paganini [Wariacje ne temat Paganiniego], for two pianos () LUTOSLAWSKI – VARIATION ON A THEME OF PAGANINI FOR TWO PIANOS Witold Lutoslawski began his career as a composer shortly before the Second World War, which disrupted it.
Piano Variations by Liszt, Lutoslawski, Brahms, and Rachmaninoff on a Theme by Paganini by Wenli Zhou Theme and Variations is arguably one of the oldest musical forms in music history. Composers have used certain themes repeatedly as thematic sources for variations. Among them, Paganini's Caprice No. 24 in A minor is certainly the best.
Shop and Buy Paganini Variations For Two Pianos sheet music. 2 Pianos sheet music book by Witold Lutoslawski (): Chester Music at Sheet Music Plus: The World Largest Selection of Sheet Music. (HL).