For a lot of people the supergroup is tainted by association with any number of bloated navel-gazing exercises in self-promotion. But if band members leave their egos at the door and focus on their respective skills, the potential for genuine musical innovation is there.
I've tried to pick a variety of genres and highlight the songs that, for me, best expressed the positive aspects of combining established musicians.
Far too many famous musicians in one place of course but they somehow managed to combine with a sense of effortless, if world-worn, charm.
Bonus points in the supergroup league table for the "Wilbury name" alter egos and the lack of personal songwriting credits.
They were known in Cuba as Los Superabuelos or the "super grandfathers", as most of the musicians involved had been in their prime in the 's. Many had already retired by the time of their "discovery" by Rounds - G.B.C. - Rounds / Ive Been There Too Cooder in the s. The group name eventually became a brand after many of the original members died but the first release had essentially the same core group built around Ferrer and Segundo.
Unidentified Flamenco Object Supergroups are sometimes inspired by chance meetings. Besides jazz there's also a distinct tango flavour to this Flamencan stew courtesy of Franco-Argentinian violinist Alexis Lefevre. The Highwomen — Highwomen The title track to Soul Iberica Band - Funky Flamenco / African Song new Highwomen release cleverly blends historical events with current issues and, according to Tincanman, has had a dramatic effect on country music since its release.
The band's name is a reference to former country supergroup The Highwaymen, but its identification with "the daughters of the silent generations" looking on from above flips the P. In this case the band name refers to Les Amazones de Guineea groundbreaking sixties female pop group. Together with bass player Harvey Brooks they laid down a day's worth of tracks which showcased the Chicago blues chops of the musicians concerned.
The album was credited with kickstarting the late-sixties supergroup trend, but its jams still had a languid freshness Soul Iberica Band - Funky Flamenco / African Song comparison to the overindulgence of later groups. Last Shadow Puppets — Wondrous Place Supergroup as side project is a good outlet for today's workaholic musicians. Last Shadow Puppets' debut album went straight to number one on the basis of its stars but also because of a convincing concept sufficiently different to the members' original bands, delving deep into pop history with this cover of a Billy Fury single.
Electronic ended up being squashed by the Britpop juggernaut which is a pity, as Marr's unique guitar work meshed perfectly with Sumner's synths and his feel for orchestration. The Neil Tennant collaborations were fine pop but the group was at its bittersweet best with Marr and Sumner up front, as here. The live instrumentation behind the loping groove to this single is taut and fresh, particularly in the light of current production.
The lone figure of singer Chris Cornell is joined by his ex-RATM colleagues on the scaffold before the fireworks begin. Exploiting the variety of post-grunge Soul Iberica Band - Funky Flamenco / African Song across the spectrum from funk to metal as well as the unique talents of Cornell and Tom Morello, Audioslave carved out a unique sound until Cornell's tragic and untimely death. Miles himself had long since abandoned acoustic music and in any case was taking an extended sabbatical.
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By Nilpferd For a lot of people the supergroup is tainted by association with any number of bloated navel-gazing exercises in self-promotion.
Will You Love Me Tomorrow - Carole King - Tapestry, I. Allegro Non Troppo - Brahms*, Philharmonia Orchestra, Carlo Maria Giulini - Sämtliche Sinfonien, Romanza De Rosa - Teresa Berganza - Placido Domingo - Ramón Contreras* - La Dolorosa / Los Clavales, Mere Dilki Kunji - Satish Bhatia - Sawan-Bhadon - Melody Of The Rains, Sierra Sam - Welcome To The Blackout
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Soul Iberica Band – Funky Flamenco / African Song