Label: Virgin Classics - 0946 345014 2 2,Virgin Classics - 0946 345015 2 1,Virgin Classics - 0946 345016 2 0,Virgin Classics - 0946 345017 2 9,Virgin Classics - 0946 345018 2 8,Virgin Classics - 0946 345019 2 7,Virgin Classics - 0946 345020 2 3,Virgin Classics - 0946 345021 2 2 • Format: 7x, CD Compilation Box Set • Country: Europe • Genre: Classical • Style: Baroque, Classical, Religious
Dans sa partition autographe, le compositeur mentionne le nom de deux chanteuses pour chacune des parties solistes. We know, of course, that women were excluded from performing music in the churches, but in Italy and France, as in other countries, there were convents of women as well as of men, and these convents engaged in exactly the same musical practices.
Composers therefore mastered the art of writing for the rather strange but extremely moving vocal spectrum of an ensemble made up exclusively of female voices. They produced an entire body of work which nowadays tends to be watered down somewhat — and that is a real shame.
In the Gloria there is no male solo, and hence such an arrangement is perfectly feasible. This approach produces an Performing Vivaldi is absolutely exhilarating: everyone must be in top form, throwing all their strength into the battle and, as a result, the music releases a wild energy.
But that is not all: this genius priest and educator succeeds in producing the sweetest possible sound one moment, followed by a thundering passage and, just when we think we have reached the summit, an even more explosive choral sequence, followed immediately by an ineffable tenderness sung by two voices, and so on.
Taking it on is a bit like attending a yoga class: sometimes you are reluctant to go, but in the end, you feel enveloped in the greatest jubilation. Even after studying his music for several decades, I admit that I never tire of it. The main reason was the common perception that a composer should specialize in what he would be in a position personally to perform or direct.
As a result, composers of vocal music were mostly either keyboard players or singers, and those who rose to become maestri di cappella of religious establishments were usually from solidly bourgeois backgrounds — unlike Vivaldiwhose father was a humble barber turned violinist. He was helping out others with operatic composition at least as early as although his own first opera had to wait untiland by had composed his first serenata. In he was invited by a church in Brescia which he had visited as a player the previous year to write the earliest sacred vocal composition from his pen of which we have Slaughterhouse Processional - Alex Wurman - Temple Grandin the Stabat Alexs Ynch Throwback - RFV - Dark Rain Sunset RV His first regular opportunity to write sacred vocal music arrived, however, in the following year.
Since its adult population was almost entirely female only a tiny proportion of its female residents left to enter a convent or marryit was logical that the coro, numbering around seventy musicians, was reserved for girls and women, given the social and religious unacceptability of a mixed ensemble. Since the vocal basses were VII Domine Fili Unigenite (Chœur) - Various - Les Plus Belles Pages De La Musique Sacrée doubled by bass instruments, the harmony was not adversely affected, the result being a distinctive and attractive colouring where the voices were bunched closely together towards the top of the texture.
The institution desperately needed a Queen - Jazz, since a constant flow of new compositions was essential to its public reputation. For a full five years Vivaldi stepped into the breach, becoming in effect its acting choirmaster. This masterpiece was introduced by Alfredo Casella to modern audiences in It is an extended work, ceremonial in character, that sets each passage of text as a separate movement in order to achieve maximum variety of tempo, key, metre, scoring, style and mood.
For all the brilliance of the framing movements and the. Here, the more spiritual side of the composer, marked by both fervour and melancholy, comes to the fore. Once again, Vivaldi follows the general principle of setting each biblical verse as an independent movement.
Exceptionally, the second movement accommodates three verses in succession, but by assigning them respectively to solo soprano, contralto and tenor, Vivaldi draws attention to their separate identity. In order to keep services to an acceptable length, composers needed also to produce concise settings of Vesper psalms, sometimes compressed into a single movement.
The thematic coherence and forward momentum of the movement are created by the strings, which, though nominally an More elaborate is the Lauda Jerusalem, a double-choir work from the group already mentioned. Here, Vivaldi adds interest by having certain verses sung by solo sopranos taken from each choir.
In his autograph score the composer wrote in the names of two singers for each solo part. These were probably alternative soloists, not singers intended to perform as a pair. Altstimmen die Altsoli, eine zu dieser Zeit weit verbreitete Praxis.
Bei Vivaldi hingegen war das nicht der Fall. Die erste Serenade schrieb er Die Bassstimmen wurden immer von Bassinstrumenten begleitet, sodass die Harmonie keinen Schaden nahm. Alfredo Casella stellte das Meisterwerk einem modernen Publikum vor. Domine Fili Unigenite, Jesu Christe, Domine Deus, Agnus Dei, Filius Patris, qui tollis peccata mundi, miserere nobis; qui tollis peccata mundi, suscipe deprecationem nostram; Qui sedes ad dexteram Patris, miserere nobis.
Glory be to God on high, and on earth peace, amonst men of good will. We praise thee, we bless thee,we worship thee, we glorify thee, we give thanks to thee for thy great glory, O Lord God, heavenly King, God the Father Almighty. O Lord, the only-begotten Son, Jesus Christ, O Lord God, Lamb of God, Son of the Father, who takes away the sins of the world, have mercy upon us; You who takes away the sins of the world, receive our prayer; You who sit at the right hand of God the Father, have mercy upon us.
For you alone are holy, you alone are the Lord, you alone are most high, O Christ, with the Holy Ghost, in the glory of God the Father. Stantes erant pedes nostri, in atriis tuis Jerusalem.
Jerusalem, quae aedificatur ut civitas: cuius participatio eius in idipsum. Illuc enim ascenderunt tribus, tribus Domini: testimonium Israel ad confitendum nomini Domini. Quia illic sederunt sedes in judicio, sedes super domum David.
Rogate quae ad pacem sunt Jerusalem: et abundantia diligentibus te. Fiat pax in virtute tua: et abundantia in turribus tuis. Propter fratres meos et proximos meos, loquebar pacem de te: Propter domum Domini Dei nostri, quaesivi bona tibi.
Gloria Patri et Half-Hearted Get (Is Second Best) - The Beautiful South - Painting It Red et Spiritui Sancto: sicut erat in principio et nunc et semper, et in saecula saeculorum. Advienne la paix dans tes murs, repos en tes palais! For there is the seat of judgement, even the seat of the house of David. O pray for the peace of Jerusalem: they shall prosper that love thee.
Peace be within thy walls: and plenteousness VII Domine Fili Unigenite (Chœur) - Various - Les Plus Belles Pages De La Musique Sacrée thy palaces. Glory be to the Father, Various - Herbalist / Energy to the Son, and to the Holy Ghost: As it was in the beginning, is now, and ever shall be, world without end. Et exsultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillae suae: ecce enim ex hoc beatam me dicent omnes generationes.
Quia fecit mihi Caithness To Kerry - John Surman - Upon Reflection qui potens est: et sanctum nomen eius. Et misericordia eius a progenie in progenies timentibus eum. Mama Say Mama Sa (Hi_Tack Mix) - The Caramel Club - Mama Say Mama Sa potentiam in bracchio suo: dispersit superbos mente cordis sui.
Deposuit potentes de sede, et exaltavit humiles. Esurientes implevit bonis: et divites dimisit inanes. Suscepit Israel, puerum suum, recordatus misericordiae suae. Sicut locutus est ad patres nostros, Abraham, et semini eius in saecula. Gloria Patri, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Le Puissant fit pour moi des merveilles : Saint est son nom! My soul proclaims the greatness of the Lord.
And my spirit rejoices in God, my Saviour. For he has looked with favour on the lowliness of his handmaiden: behold, from henceforth all generations shall call me blessed. For he that is mighty has done wondrous things for me: and holy is his name.
And his mercy is upon them that fear him throughout all generations. He has shown the power of his arm: he has scattered the proud in their conceit. He has put down the mighty from their seat, and has exalted the humble and meek. He has filled the hungry with good things: and the rich he has sent empty away. He has sustained his servant Israel, in remembrance of his mercy. As he promised to our forefathers, Abraham and his sons for ever.
Glory be to the Father, and to the Son, and to the Holy Spirit. As it was in the beginning, is now, and ever shall be, world without end. Quoniam confortavit seras portarum tuarum: benedixit filiis tuis in te. Qui posuit fines tuos pacem: et adipe frumenti satiat te. Qui emittit eloquium suum terrae: velociter currit sermo ejus.
Qui dat nivem sicut lanam: nebulam sicut cinerem spargit. Mittit crystallum suam sicut buccellas: ante faciem frigoris ejus quis sustinebit. Emittet verbum suum, et liquefaciet ea: flabit spiritus ejus, et fluent aquae. Qui annunciat verbum suum Jacob: justitias et judicia sua Israel. Non VII Domine Fili Unigenite (Chœur) - Various - Les Plus Belles Pages De La Musique Sacrée taliter omni nationi: et judicia sua non manifestavit eis.
Gloria Patri, et Filio et Spiritui Sancto. Il assure ton sol dans la paix : de la Det Tar Tid - Dungen - 4 du froment Il te rassasie. Il envoie son verbe sur terre : rapide court sa parole.
Il envoie sa parole et VII Domine Fili Unigenite (Chœur) - Various - Les Plus Belles Pages De La Musique Sacrée fondre : Il souffle son vent, les eaux coulent. For he hath made fast the bars of thy gates: and hath blessed thy children within thee.
He makes peace in your borders: and fills thee with the flour of wheat. He sends forth his commandment upon earth: and his word runs swiftly. He gives VII Domine Fili Unigenite (Chœur) - Various - Les Plus Belles Pages De La Musique Sacrée like wool: he scatters frost like ashes. He casts forth his ice like morsels: who is able to abide his frost? He sends out his word, and melts them: his breath blows, and the waters flow.
He shows his word unto Jacob: his statutes and laws to Israel. He has not dealt so with any nation: neither have the heathen knowledge of his laws. Glory be to the Father, the Son and the Holy Spirit.
9 thoughts on “ VII Domine Fili Unigenite (Chœur) - Various - Les Plus Belles Pages De La Musique Sacrée ”
May 07, · La voix humaine est le plus bel instrument de musique puisque c'est le chant direct de la vie de l'âme qui seule peut nous parler de l'Eternité. Les instruments, secondaires, sont venus plus tard pour doubler ou accompagner la voix. C'est ainsi qu'historiquement la musique Occidentale est née du Chant Sacrée Ambrosien au IVe siècle/5(9).
A. Vivaldi - Gloria, Nisi Dominus, Stabat Mater Orchestre Pro Musica, orchestre de l'Angelicum de Milan - Livret avec 2 CD Collectif Le Figaro, Antonio Vivaldi - Collection Les chefs d'oeuvres de la musique sacrée.
Oct 16, · Mais il n’y a pas que cela: en recteur de génie, Vivaldi est capable de dispenser la plus grande douceur, de la faire suivre d’un passage tonitruant, avant .
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Jun 02, · Blok'Notes, choeur lyonnais, présente un spectacle musical, les 20, 25 et 29 juin à 20H30, à la Rotonde (Campus de la Doua) Un groupe d’hommes et de femmes, curieux et enthousiastes.
parties de clarinettes. Quant à la Messe en ut de Mozart, elle est tout à la fois un monument de la musique sacrée et de l’œuvre du divin Amadeus. les tons perçants de la colère et le vacarme mortel. Domine Fili unigenite, Jesu Christe. Domine Deus, Agnus Dei, Filius Patris. Kyrie.
Sur un répertoire plus classique, Isabelle Roussel, pianiste au conservatoire de Pau les accompagnera sur les plus belles pages de Fauré écrites pour voix de femmes. professeur de musique et chef de chœur de la chorale d’enfants du collège du Bois d’Amour à Billère depuis C'est dans le répertoire de la musique sacrée.