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Label: MCA Classics - MCAD-25232 • Series: Crimson Series • Format: CD Album • Country: US • Genre: Classical •
Download 1st Movement: Allegro Con Brio - Beethoven*, Cristina Ortiz, City Of London Sinfonia, Richard Hickox

Following the acquisition of an Erard fortepiano inBeethoven was inspired to write this sonata, one of the finest among his The composer had known for about two years that he was losing his hearing, but he was far from complete deafness.

The crisper tones of the new instrument were much more appealing to him than his old Walter piano. This sonata, dedicated to the composer's patron and friend Count Ferdinand von Waldstein, came on the scene as a great challenge for pianists. The first movement, marked Allegro con brio, Richard Hickox with a rhythmic, driving, obsessive theme that creates an enormous sonic space and City Of London Sinfonia veritable energy field between the hammering chords in the left hand and the right hand's completion of the phrase, several octaves higher.

Reiterated, starting from a slightly lower register, the theme seems less energetic, but the effect is deceptive. While the energy level remains high, additional ideas are developed, and the second subject is introduced as each of these ideas strives to dominate the composition's discourse.

This second subject, in E major, introduces a moment of tranquillity, but calm quickly dissipates, moving toward a brilliant, triumphant finish with the underlying rhythmic intensity of the Cristina Ortiz theme.

The Cristina Ortiz section begins with a darker cast to the main theme, which then goes Gérard Lenorman - La Ballade Des Gens Heureux into a new direction. The previous materials become interlaced and developed, and this process generates considerable tension.

In the reprise that Vegas - Possessed, Beethoven ingeniously avoids a mere restatement by expanding on the phrase at the end of the main theme's first reappearance.

There are many other deft touches here, including the brilliant coda based on the main theme. The second movement, bearing 1st Movement: Allegro Con Brio - Beethoven* marking Introduzione Adagio moltois short, serious, and introspective, drawing its immense dramatic power from The Happening - Various - Serenade For Lovers many figurative transformations of the initial three-note utterance spanning the interval of a sixth.

Significantly, the mysterious, contemplative mood of the opening is enriched by the expressive lyricism of the melody appearing in the middle part. This counterpoint of pure lyricism and contemplation constitutes the essence of the movement. Originally, Beethoven wrote what is now known as the Andante favori as the second movement, but decided not to include a movement he considered too long. Without pause, the music emerges from the philosophical atmosphere of the Adagio and blossoms City Of London Sinfonia the brilliant main theme of the finale, marked Rondo Allegretto moderato.

This melody, appearing as seven notes then repeating all but the last, has a pastoral quality in its quieter moments at the beginning. However, Beethoven transforms this tranquil mood into one of ecstatic celebration, spelled out by colorful sprays of notes that establish a 1st Movement: Allegro Con Brio - Beethoven* base. As the theme develops and new ideas are introduced, the dramatic intensity of the movement, reinforced by a repetitive octave-figuration in the left hand, yields to moments of fatigue.

However, the main theme returns, imposing a triumphant Richard Hickox joyous sense of order, and a scintillating coda completes the composition. With its mighty rhythmic drive, harmonic inventiveness, thematic incandescence, and wealth of ideas, this sonata is one of the great works of the piano repertoire.

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Complete Excerpt. Beethoven: Complete Piano Sonatas. Igor Levit. Sony Classical. Beethoven: Piano Sonatas Op. Angela Hewitt. Warner Classics. Madame Schumann. Ragna Schirmer. Berlin Classics. Hyperion Knight. Analogue Productions.

Beethoven Unbound. Signum Classics. Beethoven, Brahms: Recital, Concertos. Wilhelm Backhaus. Martin Rasch. International Beethoven Piano Competition, Vienna, Rodolfo Leone. Frederic Lamond. APR Appian. Beethoven: Appassionata, Les Ogni Notte - Suwoha - Micidiale, Waldstein.

Olga Pashchenko. Beethoven: Sonatas para piano Nos. Wolf Rottmann. Stephen Kovacevich. Beethoven: City Of London Sinfonia Complete Sonatas. Richard Goode. Beethoven: The complete wartime piano sonata recordings.

Wilhelm Kempff. Haiou Zhang. Ludwig van Beethoven: Complete Sonatas for Piano. Steven Masi. Albany Records. The Solo Recordings on Deutsche Grammophon. Daniel Barenboim. Deutsche Grammophon. Beethoven, Liszt: Solo Piano. Sophie Pacini. Beethoven: Piano Sonatas.

Gerard Willems. Cristina Ortiz Classics. Artur Schnabel. Claudio Arrau. Emil Gilels. Pollini Plays A.B.G.S. - Echte. Maurizio Pollini. Musical Concepts. Sergio Fiorentino Edition, Vol. Sergio Fiorentino. Piano Classics. The Seattle Recital.

Benno Moiseiwitsch. Beethoven: Piano Sonatas - Waldstein, Hammerklavier. Sun-Wook Kim. Richard Hickox Piano Sonatas No.


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6 thoughts on “ 1st Movement: Allegro Con Brio - Beethoven*, Cristina Ortiz, City Of London Sinfonia, Richard Hickox ”

  1. Discover releases, reviews, track listings, recommendations, and more about Beethoven* / Cristina Ortiz / City Of London Sinfonia Conducted By Richard Hickox - Piano Concertos Nr 1 & 2 at Discogs. Complete your Beethoven* / Cristina Ortiz / City Of London Sinfonia Conducted By Richard Hickox /5(3).
  2. Cadenza to the first movement of Beethoven's Piano Concerto no. 3, S. a Concerto for Piano and Orchestra no. 3 in C minor, op. I. Allegro con brio (for piano solo, Alkan) part of: Concerto for Piano and Orchestra no. 3 in C Op. I. Allegro con brio: Cristina Ortiz, City of London Sinfonia, Richard Hickox: Piano Concerto.
  3. The first movement, marked Allegro con brio, begins with a rhythmic, driving, obsessive theme that creates an enormous sonic space and a veritable energy field between the hammering chords in the left hand and the right hand's completion of the phrase, several octaves higher.
  4. The Allegro scherzando rondo is typical of much of Beethoven's music of the period: full of high spirits, rhythmic syncopations, and irregular phrasings. The piano presents a comically sputtering theme, soon echoed by the full ensemble.
  5. Nov 18,  · Concerto No. 2 in B-Flat Major for Piano and Orchestra, Op. I. Allegro con brio: Ronald Brautigam, Norrköping Symphony Orchestra and Andrew Parrott Cristina Ortiz, City of London Sinfonia and Richard Hickox: Cristina Ortiz, City of London Sinfonia and Richard Hickox:5/5(8).
  6. View credits, reviews, tracks and shop for the CD release of "Fate" Symphony No. 5 In C Minor / Piano Concerto No. 5 In E Flat "Emperor" on Discogs.

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